My initial analysis of “Last Christmas” led me to conclude that nothing in the composition, aside from the setting and the sleigh bells, actually relates to the Christmas season. But, after ruminating on the subject, another aspect of Christmastime became apparent: the notion of “giving.” In the oft-repeated chorus, George Michael outlines his troublesome exchange: “Last Christmas, I gave you my heart/ But the very next day, you gave it away.” Aside from the obvious feelings of betrayal he must feel from having his affections re-gifted, Mr. Michael also provides a cultural context for the song: the action takes place in a modern-day environment in which gift-giving is a societal norm.

By emphasizing the modernity of his environment, Mr. Michael provides a curious and flexible framework—a framework in which he can transform the grief of betrayal into a clever pun based on a familiar English idiom, for instance. Longing yet skeptical, this framework is a possible explanation for the song’s continued popularity. After its original recording, “Last Christmas” was re-released in various edits between 1984 and 1986. In the twenty years since, the song’s influence has been felt around the world:

Al Bano & Romina Power – Last Christmas

Here we find a cover recorded in 1990 by Al Bano (not to be confused with Capt. Lou Albano) & Romina Power, a husband-and-wife duo who found great success in the Italian music scene. The two separated in 1999, citing personal differences. It’s an adult-contemporary/pop version, not too far from the original.

You can get it on amazon.com

John Holt – Last Christmas

Here we find a similar, yet slower, reggae version. Please note the lyrical change from “soul of ice” to “starry eyes.” This creates a peculiar effect, making the object of affection less callous.

This version is available on a few albums, one being his “Reggae Christmas Hits Album” on amazon.com.